Your browser does not support script Thorsten Overgaard's Photography Pages - The Story Behind That Picture 199 - "Archival Backups on BluRay Discs"
Thorsten von Overgaard's Photography Website
  Get Newsletter & Free eBook  

 
 
The Story Behind That Picture - 199
SIGN IN to Overgaard Academy on-line classes Subscribe for full access. It's free.           thorstenovergaard on Instagram Thosten von Overgaard on Facebook Thorsten von Overgaard on Twitter Thorsten von Overgaard on LinkedIn Thorsten von Overgaard on Flickr Thorsten Overgaard on YouTube Thorsten Overgaard video on Vimeo Thorsten von Overgaard on Leica Fotopark Thorsten von Overgaard on 500px  
leica.overgaard.dk    
 
Verbatim 100GB archival BluRay discs. © 2019 Thorsten Overgaard.
   
 
   

The Story Behind That Picture: "Archival Backups"

By: Thorsten Overgaard. January 16, 2019.

 

Add to Flipboard Magazine.

"Awfulize" the situation

"Awfulize" is an expression NASA uses when trying to imagine what could go wrong on a mission - and then preparing how to avoid it or fix it. Today I'll tell you about my recent project of doing an archival storage and backup of my photographs, so they may survive even the unthinkable.

Ships with life-saving boats generally don't sink, and people who have smoke detectors usually never have fires. The lesson is, once you think the thought, “what could happen?” and you prepare for it, it seldom happens.

You cannot backup your home. If it burns, there will be things lost in the fire you cannot replace or buy again. But your digital files you can actually back up so nothing would get lost, and you can place that backup in an entirely different city or country so that not even civil war or an earthquake can take your digital files away.

 

What happens when you take backup to the next level?

In storage, what is the worst thing that could happen to your neatly sorted and copied hard drives, tape backups, cloud storage and solid state hard drives? The answer is EMP, thunder and terrorism.

 

EMP (Electromagnetic Pulse)

Most of the possibilities for an EMP (a rapid burst of electromagnetic energy) are unlikely, but if it happened it would wipe all your digital media such as SD-cards, hard drives, SSD drives, tape backups and likely even re-writeable DVD's.

1) Nuclear explosions (NEMP) will wipe out electronics.

2) EMP weapons or terrorism can be non-nuclear (NNEMP) but will contain an electromagnetic pulse which will wipe it all.

3) Thunder and other events that create a sudden burst of energy are usually very local, meaning one or a few houses.

4) Sunburst are large electromagnetic pulse "waves" or "storms" around a planet. A few years ago, sunbursts were predicted to hit Earth, but never did.

 

Virus

We haven't seen virus attacks on cloud storage facilities, and we haven't seen global virus attacks. But if you can imagine it, you can prepare and prevent for the eventuality.

There's also the possibility for a delayed virus attack, as described in "The President is Missing" by James Patterson (where the world, but mainly US, is being attacked by a virus installed years in advance so it could infiltrate every possible device).

 

"It happens to everybody"

The discussion of "sunspots" came up in a workshop in 2013 because there had been some predictions that it could happen in 2014. The perspective would be that one would lose all digital files everywhere the sunspots happened. The general consensus in the workshop was that "if it happens to everybody it's okay", which I find interesting but disagree with.

But no matter the consensus, or whether it happened to all of us, or there was nothing I could’ve done about it, or that "it wasn't my fault" ... I still like to wonder what could be done.

Imagine if all digital files were wiped out tomorrow. What would we be missing?

Could you imagine the consequences if Shakespeare, Leonardo da Vinci and all those folks had stored their writings and art digitally? How much would have been lost simply by the accidental mistake of not paying for your cloud backup in time, or something like this?

This is what I would prevent, the loss of something you can't get back but wish you had protected better.

 

Archival storage on paper or glass negatives

As for pictures, you can make prints on specialty paper which lasts 100+ years. You can also get digital image files transferred onto film which lasts 50+ years. Unless you have other uses for the prints or film, it's an expensive and space-consuming archive to make or to move around every time you move to a new place (or when you die, for others to want to protect and move).

Photo paper in A4/letter size on fiber paper without chemicals costs about $3.00 - $5.00 to make, per print. Storage of digital files onto glass plates is usually in the $50 range, per slide.

 

Paper prints cost about $3-5 per print on fiber print without chemicals (which will make them last for 100+ years). My archive is 90,000 pictures, which would cost $300,000 to print, and then some genius work to store somewhere. The same files, stored on digital 100Gb BlyRay discs require $85.00 worth of disks, using a $125 Blu-Ray drive.
Paper prints cost about $3.00 -$5.00 per print on fiber print without chemicals (which will make them last for 100+ years). My archive is 90,000 pictures, which would cost $300,000 to print, and then some genius work to store somewhere. The same files digitally stored on 100Gb Blu-Ray discs would require $85.00 worth of disks and a Blu-Ray drive that costs $125.00.

 

Blu-Ray Archival Backups

Some time ago I bought a stack of Verbatim 100GB BluRay disks for archival storage, as well as an external $125 Pioneer disc-burner that can burn Blu-Ray disks with 2X speed (which the Apple external DVD/CD drive can't do).

I looked at the writing speed specifications which said 2X writing speed and I started wondering how long this would take? When I burned the first discs, it turned out it takes just about three hours to burn one 100GB disc.

 

This is what I did

When I finally took time out to get this to work, it was rather easy. The writing speed of a 100GB disk is about three hours, including the verification that the software performs automatically after the disk is finished. About 10%-20% of the discs I burned failed in verification or in some other stage. So I had to do those again, which is not unexpected if you have ever tried to burn CD's or DVD's.

I would recommend to set the burner up to make 2 copies of each CD. Then put them in different locations, just in case, but also to minimize the contingency that one of the discs is unreadable and there’s no back-up. When you set the number of copies to 2, the disc burner simply asks for the next disc when done with the first one. No extra work, but two identical copies are made.

My high-resolution "final prints" are JPG files that are in one 1TB folder with sub-folders for each job. The individual files are edited to their final look, have keywords and all. In short, it's the fruit of my workflow; always finishing my work by selecting which photos to edit, editing them, then exporting them in different sizes for final uses whether web, social media or print. So the 1TB folder contains 90,000 JPG files in print resolution.

Very easy to burn, it requires only 10 Blu-Ray disks and a week’s worth of time to do.

If I wanted to make a print archive, I would likely make a finer selection of a few hundred images I regard as so important that I want to print them to an archive. With this method I don't have to spend any more time on selecting or making any painful choices. I simply burn my entire image archive.

I also burn to Blu-Ray all of my word documents, my web site documents and any other files I would want to secure. These all fit on one or two Blu-Ray discs.

The software is free and comes with the Panasonic burner. You drag and drop the files you want to burn and press burn. Then it is written in the background while you work on something else, and once it is complete, the software will verify the content. The process doesn't slow the computer down, so as long as you don't disconnect or restart anything, it'll be fine.

 

 

What would you take with you to a lonely island?

Part of deciding what to preserve in this fashion is to be realistic. I burn high resolution JPG files because they are good for print and because these are the final "digital print" of what I did. One could argue that TIFF in 16-bit would be perfect, but it would also be 10X the size of the archive; meaning 10X longer to make and 10X the price in materials.

The estimate of what needs to be stored is a little like, "what would you take with you to a lonely island?".

If the house burns, would you grab the computer and leave the rest ... Or would you take the diamonds, the cat and the credit cards?

Imagine you sit after the neighborhood burned down and was hit by an EMP event. What would you regret that you didn't preserve and secure when you could have?

Remember, it's all about completing a project of storage that likely will never be of use because nothing happens anyways. So if it did, what would you have done differently if you had known beforehand?

That's the balance. With the important detail that the project has to be so realistic that you can get it completed and not just dream of doing it or starting on it.

 

Nothing lasts forever

Remember, whatever the solution, you might have to do it all again sooner than you think.

How long can Blu-Ray discs be read, or how long will it be before you can't find a Blu-Ray reader anymore?

If you store DNG files, what is the likelihood they can be read and of use in 10 or 20 years?

Part of the project is knowing that even though you store it for 100+ years, it might have to be done again, or transferred again to another type of storage in 10 years. Part of my workflow is that files are finished and stored in my archive. This makes it easy to make a copy. Parts of my early archive are in TIFF and contain both "the best" and "all the scans" as well as "alternative versions" in one chunk. That part of the archive is not organized so I can easily burn just the best 'final digital prints' to Blu-Ray. So, either I burn them onto however many discs it may take, or I organize it so it makes more sense. It's an estimate of time and money. For now, I just pressed burn because it only costs a few hundred dollars extra, whereas re-organizing things would take time that I don't have. So, for the sake of completing the project, I burned it as is.

 

What to buy

Pioneer disc-burner : $ 125 at Amazon.

5 BluRay discs Verbatim (500 GB sorage): $85 at Amazon.

 

 

To be continued

I hope you enjoyed today's Story Behind That Picture and found it provided an easy fix to make sure your contribution to our culture can survive almost any imaginable catastrophe. As always, feel free toemail me with questions, ideas and suggestions.

 

Thorsten Overgaard
#
1909-0119


 


   
   

 

 
 

 

 

   
   
   

 

Thorsten von Overgaard
Thorsten Overgaard's Leica Reviews and Article Index
Leica M digital camera reviews:   Leica L digital cameras:
Leica M11    
Leica M11-D   Leica SL
Leica M11-P   Leica SL2
Leica M11 Monochrom   Leica SL2-S
Leica M10   Panasonic Lumix S5 II X
Leica M10-P   Panasonic Lumix S1R
Leica M10-R   Leica SL3
Leica M10-D   Leica TL2
Leica M10 Monochrom   Leica CL
Leica M9 and Leica M-E   Leica L-Mount lenses
Leica M9-P    
Leica M9 Monochrom   Leica R digital cameras:
Leica M240   Leica R8/R9/DMR
Leica M246 Monochrom    
Leica MD-262 and Leica M60   Small Leica mirrorless digital cameras:
    Leica Q3 43 APO
    Leica Q3
Leica M film cameras:   Leica Q2 / Leica Q2 Monochrom
Leica M6   Leica Q (model 116)
Leica M4   Leica V-Lux
Leica CL /Minota CLE (1973)   Leica C-Lux
    Leica D-Lux 8
    Leica D-Lux
Leica M lenses:   Leica Digilux 3
Leica 21mm Summilux-M ASPH f/1.4   Leica Digilux 2
Leica 21mm Leica Super-Elmar-M ASPH f/3.4   Leica Digilux 1
Leica 21mm Super-Angulon-M f/3.4   Leica Digilux
Leica 28mm Summilux-M ASPH f/1.4   Leica R film cameras:
Leica 35mm Summilux-M ASPH FLE f/1.4 and f/1.4 AA   Leica R8 / R9
Leica 35mm Summicron-M ASPH f/2.0   Leica R4
Leica 35mm APO-Summicron-M ASPH f/2.0   Leica R3 electronic
Leica 50mm ELCAN f/2.0   Leicaflex SL / SLmot
Leica 50mm Noctilux-M ASPH f/0.95 FLE   Leica compact film cameras:
Leica 50mm Noctilux-M f/1.0   Leica Minilux 35mm film camera
Leica 50mm Noctilux-M f/1.2   Leica CM 35mm film camera
7artisans 50mm f/1.1   Leica R lenses:
Leica 50mm Summilux-M ASPH f//1.4   Leica 19mm Elmarit-R f/2.8
Leica 50mm Summicron-M f/2.0 "rigid" Series II   Leica 35mm Elmarit-R f/2.8
Leica 50mm APO-Summicron-M ASPH f/2.0   Leica 50mm Summicron-R f/2.0
Leica 50mm Elmar-M f/2.8 collapsible   Leica 60mm Macro-Elmarit f/2.8
Leica 75mm Noctilux-M ASPH f/1.25   Leica 80mm Summilux-R f/1.4
7artisans 75mm f/1.25   Leica 90mm Summicron-R f/2.0
Leica 75mm Summilux-M f/1.4   Leica 180mm R lenses
Leica 90mm Summilux-M ASPH f/1.5   Leica 250mm Telyt-R f/4.0
Leica 90mm APO-Summicron-M ASPH f/2.0   Leica 400mm Telyt-R f/6.8
Leica 90mm Summarit-M f/2.5   Leica 35-70mm Vario-Elmarit-R f/2.8
Leica 90mm Elmarit f/2.8   Leica 35-70mm Vario-Elmarit-R f/4.0
Leitz 90mm Thambar f/2.2    
    Medium format:
Leitz Cine lenses:   Hasselblad 907x CFV 100c
Leica Cine lenses from Leitz Cine Wetzlar   Leica S1 digital scan camera
    Leica S medium format cameras
   
    Sony mirrorless digital cameras:
History and overview:   Sony A7
Leica History and Heritage  
Famous Leica Usears   Fujifilm mirorrless digital cameras:
Leica Definitions   Fujifilm X-Pro 2
Leica Lens Compendium    
Leica Camera Compendium   "Magic of Light" 4K Television Channel
The Solms factory and Leica Wetzlar Campus   Thorsten von Overgaard YouTube Channel
     
Photography Knowledge   Thorsten Overgaard books and education:
Calibrating computer screen for photographers   Thorsten Overgaard Masterclasses & Workshops
Which Computer for Photographers?   Lightroom Survival Kit
What is Copyright? Advice for Photogarphers   Lightroom Presets by Overgaard
Synchronizing Large Photo Archive with iPhone   Lightroom Brushes by Overgaard
Quality of Light   Capture One Survival Kit
Lightmeters   Capture One Styles
Color meters for accurate colors (White Balance)   "The Photographers Workflow Masterclass"
White Balance & WhiBal   "Finding the Magic of Light" eBook (English)
Film in Digital Age   "Die Magie des Lichts Finden" eBook (German)
Dodge and Burn   "The Moment of Emotional Impact in Photography"
All You Need is Love   "Freedom of Photographic Expression" eBook
How to shoot Rock'n'Roll   "Composition in Photography" eBook
X-Rite   "The Portrait Book" eBook
The Origin of Photography   "A Little Book on Photography" eBook
Hasselblad/Imacon Flextight 35mm and 6x6 scanner   "After the Tsunami" Free eBook
    "Why do I Photograph?" eBook
The Science of Colors:   "The Artist's Guide to the Galaxy" eBook
Chart of all Leica camera's Kelvin Color Performance   "The Leica M11 Know-All eBook"
Chart of Hasselbad camera's Kelvin Color Performance   "The Leica Q Know-All eBook"
    "The Leica Q2 Know-All eBook"
    "The Leica Q3 Know-All eBook"
    "The Leica M240 Know-All eBook"
    "The Leica SL3 Know-All eBook"
    The Digital Photographers Extension Course
    The Overgaard New Inspiration Extension Course I
   
   
Leica Photographers:   Famous Leica Photographers
Henri Cartier-Bresson   Riccis Valladares
Rodney Smith   Christoåpher Tribble
Birgit Krippner   Martin Munkácsi
John Botte   Jose Galhoz
 
Douglas Herr   Milan Swolf
Vivian Maier   Jan Grarup
Morten Albek    
Byron Prukston   Richard Avedon
     
The Story Behind That Picture:   Learn with Thorsten Overgaard:
More than 250 articles by Thorsten Overgaard   Leica M9 Masterclass (video course)
Thorsten Overgaard Workshop Schedule   Leica M10 Masterclass (video course)
    Leica M240 Masterclass (video course)
Leica Forums and Blogs:   Leica M11 Masterclass (video course)
Leica M11 / M240 / M10 User Forum on Facebook   Leica Q Masterclass (video course)
Jono Slack   Leica Q2 Masterclass (video course)
Sean Reid Review (reviews)   Leica Q3 Masterclass (video course)
Heinz Richter's Leica Barnack Berek Blog   Leica SL2 Masterclass (video course)
    Leica SL3 Masterclass (video course)
Connect with Thorsten Overgaard:   Leica TL2 Quick Start (video course)
Thorsten Overgaard on Instagram   Camera Excellence (video course)
Thorsten Overgaard on Threads   A Fly on the Wall (video course)
Thorsten Overgaard on YouTube   Mastering the Noctilux (video course)
Join the Thorsten Overgaard Mailing List   The Leica 50mm Lens Class (video course)
Thorsten Overgaard on Facebook   Street Photography Masterclass (video course)
    Adobe Photoshop Editing Masterclass
    The Photoraphers Workflow Masterclass
    Adobe Lightroom Survival Kit
    Capture One Survival Kit
    Overgaard Workshops & Masterclasses
    Overgaard One-on-One Training
    Thorsten Overgaard Archive Licencing
    Commision Thorsten Overgaard
 
The Von Overgaard Gallery Store:   Von Overgaard Ventilated lens shades:
Ventilated Shades "Always Wear A Camera"   Ventilated Shade for Current 35mm Summilux FLE
Camera Straps "Always Wear A Camera"   Ventilated Shade E46 for old Leica 35mm/1.4 lens
The Von Camera Bag   Ventilated Shade for Leica 50mm Summilux-M ASPH
The Von Mini Messenger Walkabout Camera Bag   Ventilated Shade E43 for older 50mm Summilux
Desk Blotters 'Always Wear A Camera"   Ventilated Shade for 35mm Summicron-M ASPH
Sterling Silver Leica Necklace   Ventilated Shade for older 35mm/f2 lenses
Software for Photography   Ventilated Shade E39 for 50mm Summicron lenses
Signed Thorsten Overgaard Gallery Prints   Ventilated Shade for Leica 28mm Summilux
Video Masterclasses   Ventilated Shade for current 28mm Elmarit-M
Photography Books by Thorsten Overgaard   Ventilated Shade for older 28mm Elmarti-M
Home School Photography Extension Courses   Ventilated Shade E49 for 75mm Summicron
    ventilated Shade E55 for 90mm Summicron
    Ventilated Shade for 28mm Summaron
    Ventilated Shade for 24mm Elmarit
    Ventilated Shade E60 for 50mm Noctilux and 75/1.4
Gallery Store Specials   Ventilated Shade for Leica Q, Leica Q2 and Leica Q3
 

 

 

Above: Verbatim 100GB archival BluRay discs. © 2019 Thorsten Overgaard.

 

 

 

 

 

 

 

 





 


Also visit:

Overgaard Photography Workshops
Books by Thorsten Overgaard
Street Photography Masterclass Video
Adobe Photoshop Editing Masterclass
Adobe Lightroom Survival Kit
Lightroom Presets by Overgaard
Lightroom Brushes by Overgaard
Capture One Survival Kit
Capture One Styles by Overgaard
Photographer's Workflow Masterclass
Signed Original Prints by Overgaard

Von Overgaard Gallery Store
Ventilated Shades by Overgaaard
Leather Camera Straps
Camea Bags
Leather Writing Pads
Sterling Silver Camera Necklace

Leica Definitions
Leica History
Leica Lens Compendium
Leica Camera Compendium
Leica 21mm Super-Elmar-M ASPH f/3.4
Leica 21mm Super-Angulon f/3.4
Leica 28mm Summilux-M ASPH f/1.4
Leica 35mm Summilux-M ASPH f/1.4
Leica 35mm Summicron-M ASPH f/2.0
Leica 35mm APO-Summicron-M f/2.0
Leica 40mm Summicron-C f/2.0
Leica 50mm Noctilux-M ASPH f/0.95
Leica 50mm APO-Summicron-M f/2.0
Leica 50mm Summicron-M f/2.0
Leica 50mm Summicron-SL f/2.0
ELCAN 50mm f/2.0
Leica 50mm Summilux-M ASPH f/1.4
7artisans 50mm f/1.1
Leica 75mm Summilux-M f/1.4
Leica 75mm Noctilux-M ASPH f/1.25
7artisans 75mm f/1.25
Leica 80mm Summilux-R f/1.4
Leica 90mm APO-Summicron-M f/2.0
Leica 90mm Summilux-M f/1.5
Leica 35-70mm Vario-Elmarit-R f/2.8
Leitz Cine lenses
Leica L lenses

Leica M6
Leica M11-D
Leica M11-P
Leica M11
Leica M11 Monochrom
Leica M10
Leica M10-P
Leica M10-R
Leica M10-D
Leica M10 Monochrom
Leica M9, M9-P and Leica ME
Leica M9 Monochrom
Leica M 240
Leica M 240 for video
Leica M 262
Leica M-D 262
Leica M 246 Monochrom
Leica SL 601
Leica SL2
Lecia SL3
Panasonic Lumix S1R
Hasselblad 907X
Hasselblad CFV 100C digital back
Hasselblad XPan
Leica R9 dSLR
Leica / Kodak/ Imacon DMR digital back
Leica Q
Leica Q2
Leica Q2 Monochrom
Leica Q3
Leica Q3 43 APO
Leica D-Lux 8
Leica CL
Leica TL2
Leica Sofort
Leica S medium format
Leica X
Leica D-Lux
Leica C-Lux
Leica V-Lux>
Leica Digilux
Leica Digilux 1
Leica Digilux Zoom
Leica Digilux 2
Leica Digilux 4.3
Leica Digilux 3
Leica Digilux 1

Light metering
White Balance for More Beauty
Color Meters
Screen Calibration
Which computer to get
Sync'ing photo archive to iPhone
The Story Behind That Picture
"On The Road With von Overgaard"

Von Overgaard Masterclasses:
M11
/ M10 / M9 / M240 / Q / Q2 / Q3 / SL2 / SL3 /TL2 /

 

 

Overgaard Photo Workshops

 

 

 

     
Buy eBooks by
Thorsten Overgaard
     
"A Little Book on Photography"   "A Little Book on Photography"
Add to Cart  

Add to Cart

     
"The Leica Q Know-All eBook"  
Add to Cart   Add to Cart
     
"Finding the Magic of Light"   "Composition in Photography - The Photographer as Storyteller"
Add to Cart   Add to Cart
     
"The Freedom of Photographic Expression"   "The Moment of Emptional Impact"
Add to Cart  

Add to Cart

     

The Portrait Book
How to Make People Beautifu
    Add to Cart
     

Preorder: The Noctilux Masterclass
    Add to Cart
     
Extension Courses
     
The New Photography Extension Course"   "New Inspiration Extension Course"
Add to Cart   Add to Cart
     

Lightroom
Survival Kit 11
 


Workflow
Masterclass

Add to Cart  

Add to Cart

     
Video Classes
     

eBook
+Video

This is Street Photography

  Street Photo
Masterclass

Add to Cart

  Add to Cart
     


Leica Q2
Masterclass

  "Leica Q Video Masterclass"
Leica Q
Masterclass

Add to Cart

  Add to Cart
     
"Leica TL2 Quick-Start Video Course"
Leica TL2
Quick-Start
Video Course
  "Leica Q Video Masterclass"
Preorder:
Leica M9
Masterclass
Add to Cart   Add to Cart
     
"Leica M10 Video Masterclass"   "Leica M 240 Video Masterclass"
Add to Cart   Add to Cart
     
Lightroom Presets
     
Lightroom Presets Leica M10   Lightroom Presets Leica M9
Add to Cart   Add to Cart
     
Lightroom Presets Leica TL2   Lightroom Presets Leica Q
Add to Cart   Add to Cart
     
Lightroom Dutch Painters Presets by Thorsten Overgaard   Leica Presets for Lightroom by Thorsten Overgaard
Add to Cart   Add to Cart
     
"Hollywood Film Presets"
Add to Cart    
     
Hemingway Presets for Lightroom by Thorsten Overgaard
Add to Cart    
     

201 Lightroom Presets
+ 4 Export Presets
Add to Cart    
     
Capture One Styles:
     
"Capture One Pro Survival Kit"
Capture One
Survival Kit 22
  Leica Styles for Capture One by Thorsten Overgaard
Leica Styles for
Capture One
  Add to Cart
     

17 Capture One Styles
Add to Cart    

 

 

 

 

 

 

 

 

 

 

 

 



Thorsten Overgaard
Thorsten von Overgaard is a Danish-American multiple award-winning photographer, known for his writings about photography and Leica cameras. He travels to more than 25 countries a year, photographing and teaching workshops to photographers. Some photos are available as signed editions via galleries or online. For specific photography needs, contact Thorsten Overgaard via email.

You can follow Thorsten Overgaard at his television channel magicoflight.tv.

Feel free to email to thorsten@overgaard.dk for questions, advice and ideas.

 

 
           
  · © Copyright 1996-2024 · Thorsten von Overgaard


 

© 1996 - 2024 Thorsten Overgaard. All rights reserved.

 

Web Analytics