"Case in Point" [a work in progess]
- How to store and transport photo gear
By: Thorsten Overgaard
When in route back from Africa a year ago I had the fortune of passing through Charles de Gaulle Airport in Paris. As the plane was late, we had to run through the airport with all our shoulderbags to arrive at the right gate where there was a tremendous line of people waiting for their security check.
This fine piece of sh... architecture is distinguished by having a long "hallways" which goes on for kilometers, and with the gates on the side. Problem is that when there's a line waiting for security at each gate, the "hallway" is not wide enough. And at the same time there's stairs and all so you can't use a luggage wagon. So you drag your stuff over the shoulders as you run through this endless airport that is utterly jammed with people waiting in lines.
So what I remembered after this was not the architecture but the pain in my shoulders from carrying my bags through this endless airport.
Which is why I decided to get wheels on my photo bags. The solution was the Peli 1510 as I realized that mostly I will be having my gear in my office, in my car, or - when abroad - transport it with busses, trains, airplanes and eventual arrive where it will be stored in a hotel room or in the back of a car. It's extremely rare that I "get out in the bush" without a car. The result being that mostly we park, I grab a camera or two and walk the last meters. Shoot, then go back to the car.
For this purpose the Peli 1510 is perfect protection. Only in the London Subway and on few other occassions I have to carry it. Most of the rime it rolls or lies in a car.
You can get it with foam but I prefer the soft dividers as I often change what's in the bag. Here you can get an impression of what can be fitted into it. In the beginning I missed my soft bags where you can always find a small pocket for something. But with a little training you can fit big and small items into this as well.
You can buy an extra set of dividers as the whole divider-thing can be lifted out of the bag just like that. So you could have different sets for different purposes. Though for me, that's not necessary. It's easy to change the dividers position.
I mostly have R gear in mine, but as can be seen, a Leica M fit in perfect in the upright position. But for a pure Leica M setup it's probably a bit too big. Digilux 2 for with face down (I used the D2 to take this photo so you'll have to imagine it being there with the screen pointing up).
Note that I have put reflexes onto it so that when rolling on a dark road (outside rock festivals for example) I can be seen from behind. But else I prefer bags and cases to be invisible (black) and not to look like they contain expensive stuff worth stealing.
I also have a wire lock which is a long cable with a lock on it. And I have a normal lock as well. Both of them is code locks so I don't have to worry about where the key went. The wire lock can also be used to attach the iMac to a table or something when working on location.
Here's a studio photo of a Peli 1510 with Canon gear and - interstingly enough - pockets in the top. My experience is that the foam is good to keep small parts in place. And I prefer that nothing moves around inside the bag as there's so much lens glass in it (never put a heavy metal lock inside the bag as it will work like a hammer). If you look at this photo you will also see that the lenses will cause a problem at some point when the bag is closed.
I will get back later with other bags and storage experiences.
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