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Leica M Digital Rangefinder Camera - Leica M Type 240 (Leica M10)
 


   
 
   

Leica M Type 240 Digital Rangefinder Camera - Page 40

Index of Thorsten von Overgaard's user review pages covering Leica M9, Leica M9-P, M-E, Leica M10,
Leica M 240, Leica M-D 262, Leica M Monochrom, M 246  as well as Leica Q and Leica SL:

Leica M9 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 M9-P   Links
Leica M10
V 1                                      
Leica M 240
P 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44         What if?
Leica M-D 262 1 2                        
Leica Monochrom 20 21 22 23 24 25 26 27 28 29
A
29
B
29
C
29
D
               
Leica Q 1                            
Leica SL 1 2 3 4 5                               Books

 

By: Thorsten Overgaard, April 19, 2015 (edited August 23, 2015)

 

Traveling through ice landscapes with the Leica M-P 240

Byron Prukston went to the Baikal Lake region in Russia with the Leica M-P 240 Safari and worked in frozen landscapes down to -30° Celsius (-22 Fahrenheit)

 


The Leica M-P 240 Safari with Leica 16-18-21mm Tri-Elmar f/4.0 lens. The strap on the camera is Luigi's Custom Ostrich Leather.

 

Byron Prukston is a photographer living in Australia who went with friends to Russia to do landscape photography on and around the frozen Baikal Lake. I saw his photos on The Leica M 240 Forum on Facebook and found the project so interesting I asked him to appear here and tell us the story.

 


Leica M-P 240 Safari with Leica 16-18-21mm Tri-Elmar f/4.0 lens.

 

Byron Prukston: “I have traveled with the Leica M to Iceland, Scotland and Russia before, but this was my first experience to travel and take photo on such a large and vastly ice surface.
 
“We worked most of the time in freezing temperatures. It was cold enough to make the whole 31,000 sq meters (334,000 sq. feet) lake frozen.

 


Leica M-P 240 Safari with Leica 16-18-21mm Tri-Elmar f/4.0 lens.

 

“The first question came in my mind prior to the trip: ‘How long will the M battery survive in such a freezing temperature?’

“I had prepared four batteries in total, as our plan was to take photos from sunrise until sunset. I didn’t know if I would have much chance to recharge them.

When we arrived at our guesthouse in a small village in Khuzhir, the average temperature was -15 C to 0 C degree. I was told that it was already a warm winter year and our trip was at the very end of winter!”

 

 
     
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Leica M-P 240 Safari with Leica 16-18-21mm Tri-Elmar f/4.0 lens.

 

First day shooting in a ice landscape

“My first day of shooting started at sunset, I took my M-P 240 Safari Set along with three lenses: A wide-angle 16-18-21mm Tri-Elmar f/1.4, a MATE 28-35-50mm f/4.0 and a Leica 80-200mm Vario-Elmarit-R ASPH f/2.8.

“I was surprised to learn that one battery could stay for the whole session of 3 hours shooting that included Live View (using the screen and EVF-2 Electronic viewfinder for focusing and preview).

 


Leica M-P 240 Safari with Leica 16-18-21mm Tri-Elmar f/4.0 lens.

 

“The trip went on for eight days and our timetable was the same for every day:

“We started at 5:30 AM and it took around 30-60 minutes to get to the location. We then scattered around to find a spot to shoot from and changed the location simultaneously. The morning sessions went until 10 AM, and then we packed down and went back to the guesthouse.

“Actually, one battery would usually last for the whole morning session that included some long exposure shots and using Live View for all of it.”

 

         
 

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Leica M-P 240 Safari with Leica 16-18-21mm Tri-Elmar f/4.0 lens.

 

         
 

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Working from low positions on the ice

“I used a very sturdy Gitzo Systematic tripod. It can be lowered to a very low position above the ice so I could get some interesting photos of the ice surface with an interesting foreground. Some times I would put the camera on the ice if I didn’t get low enough with the tripod.

“I didn’t mind having my aperture set at maximum f/22 and set the focus to hyper focal. For the WATE lens that is 70 cm, and at f/22 I could get a sharp image from 30cm to infinity.

 


Leica M-P 240 Safari with Leica 16-18-21mm Tri-Elmar f/4.0 lens.

 

“The wind and the temperature were very cold. I needed to wear 4-5 layers of clothing and have the gloves on at all times. Surprisingly, my Leica M-P 240 camera didn’t have any problem. The only glitch happened when I took a bracketing shots of 5 exposures and the SD-card struggled a little bit. After a few minutes the camera was done buffering and it was back to normal.

“I took along a second camera with me, a Sony A7S. I ended up using it for time-lapse, star trails image and for night scenes.”

 


Leica M-P 240 Safari with Leica 16-18-21mm Tri-Elmar f/4.0 lens.

 

           
 

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Limitations of the Leica M-P 240

“The Leica M-P 240 has some limitations for long exposures. The Leica M-P 240 has a maximum exposure time limit even in Bulb mode. I couldn’t go beyond the exposure time limit.

“The limit also varies between 60 seconds as maximum at ISO 200, 32 seconds at ISO 400 and reduced to merely 8 seconds at ISO 1600. Sometimes I have found that if the exposure could go longer than 60 seconds, the image would be more spectacular.

“The night scenes where you want to capture stars or the Milky Way it will require at least 30 seconds at ISO 800-3200.

 


Leica M-P 240 Safari with Leica 16-18-21mm Tri-Elmar f/4.0 lens.

 

“Long Exposure Noise Reduction cannot be de-activated on the Leica M 240. I understand the point that the dark frame process improves the image quality, but somehow if this could be controlled with an ON/OFF switch (like most dSLR cameras), it would give more possibilities.  I shoot in DNG, so the noise reduction can be done in post processing. The camera would be more capable of capturing image continuously. The technique of stacking star trails images can also be done as the interval between shots will be reduced.

 


Leica M-P 240 Safari with Leica 16-18-21mm Tri-Elmar f/4.0 lens.

 

“When you work in a tripod with the camera fixed, you would wish that the Live View zoom field that allow you to focus only in the center for the frame, could be moved around.

“I am impressed with the improvement from M9 on the image quality on high ISO. I can’t wait till we get the next generations with likely even higher ISO possibilities.”

 


Leica M-P 240 Safari with Leica 16-18-21mm Tri-Elmar f/4.0 lens.

 

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The perfect Leica for landscape photography

“The conditions I encountered on this shoot were stressing me and the equipment to the edge. The Leica M-P 240 and the Leica M lenses are a (nearly) perfect combination for most aspect of landscape photography. They are durable and reliable in harsh condition as the freezing temperature we encountered. The battery life is reduced, compared to normal conditions, but not dramatically. If I could have recharged it overnight, I could see no need for more than two batteries.

“Thank you for the opportunity to share my experience and photos. Feel free to follow my work from my Facebook page.”


Byron Prukston
Bryan Prukston

 

Byron Prukston (34) lives in Brisbane, Australia and is a restaurateur and stock photo contributor for Getty Images/Shutterstock.

He uses the alias Wargunner on 500px, Flickr and LFI Gallery. He is also on Facebook.

He made a switch in 2011 from Canon dSLR to Leica M9 after getting tired of carrying a huge camera with big lenses while traveling with the family and his young daughter.

“I have been an enthusiast who loves to shoot all kind of landscapes, including seascape and nightscape. The Leica M camera system is more than capable of catching beautiful landscape images. It’s durable and compact.

“I have soaked the camera and lenses many times while doing seascapes but never had any big issues with it. I just wiped it clean, put it in a dry storage and it were just fine."

 


Leica M-P 240 Safari with Leica 16-18-21mm Tri-Elmar f/4.0 lens.

 

“I’ve studied the Leica M 240 since it became available. Until now I am more than happy with the camera even though I wish some limitations could be improved in the next M.

“My favorite gear for my work is the Leica M-P 240 and the wide angle 16-18-21mm Tri-Elmar-M f/4.0. This is a lens I love for the fact that it can be used with filters flawlessly. Early on I applied the 100mm Lee filter system on the lens but recently I just uses the 67mm filters and worked on Luminosity mask techniques from bracketing several exposures.

“I always carry two ND-filters (Neutral Density) with me: A 3-stop (8X) and a 10-stops (512X) that I use to control the water- and cloud-movement so I can make more interesting effects to the image.”

 

     
 

Continues on page 41 -->

"Focusing the Leica M 240"
(Coming soon - Sign up for the free newsletter to stay in the know!"

 
     

 

 
 

 

 

 

Thorsten Overgaard, April 19, 2015

 

 


Leica M-P 240 Safari with Leica 16-18-21mm Tri-Elmar f/4.0 lens.
   
   

 



   

 

Index of Thorsten von Overgaard's user review pages covering Leica M9, Leica M9-P, M-E, Leica M10,
Leica M 240, Leica M-D 262, Leica M Monochrom, M 246  as well as Leica Q and Leica SL:

Leica M9 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 M9-P   Links
Leica M10
V 1                                      
Leica M 240
P 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44         What if?
Leica M-D 262 1 2                        
Leica Monochrom 20 21 22 23 24 25 26 27 28 29
A
29
B
29
C
29
D
               
Leica Q 1                            
Leica SL 1 2 3 4 5                               Books


leica.overgaard.dk
Thorsten Overgaard's Leica Article Index
Leica M cameras:   Leica S:
Leica M10   Leica S1 digital scan camera
Leica M Type 240 and M-P Typ240   Leica S2 digital medium format
Leica M-D Typ 262 and Leica M60   Leica S digital medium format
Leica M Monochrom Typ246 digital rangefinder    
Leica M Monochrom MM digital rangefinder   Leica Cine Lenses:
Leica M9 and Leica M-E digital rangefinder   Leica Cine lenses from CW Sonderoptic
Leica M9-Professional digital rangefinder    
Leica M4 35mm film rangefinder    
Leica M lenses:   Leica SLR cameras:
Leica 21mm Summilux-M ASPH f/1.4   Leica SL 2015 Type 601 mirrorless fullframe
Leica 21mm Leica Super-Elmar-M ASPH f/3.4   Leica R8/R9/DMR film & digital 35mm dSLR cameras
Leica 21mm Super-Angulon-M f/3.4   Leica R10 [cancelled]
Leica 28mm Summilux-M ASPH f/1.4   Leica R4 35mm film SLR
Leica 35mm Summilux-M ASPH FLE f/1.4 and f/1.4 AA   Leica R3 electronic 35mm film SLR
Leica 35mm Summicron-M ASPH f/2.0   Leicaflex SL/SL mot 35mm film SLR
Leica 50mm Noctilux-M ASPH f/0.95    
Leica 50mm Noctilux-M f/1.0 and f/1.2   Leica R lenses:
Leica 50mm Summilux-M ASPH f//1.4   Leica 19mm Elmarit-R f/2.8
Leica 50mm APO-Summicron-M ASPH f/2.0   Leica 35mm Elmarit-R f/2.8
Leitz 50mm Summicron-M f/2.0 "rigid" Series II   Leica 50mm Summicron-R f/2.0
Leica 75mm Summilux-M f/1.4   Leica 60mm Macro-Elmarit f/2.8
Leica 75mm APO-Summicron-M ASPH f/2.0   Leica 80mm Summilux-F f/1.4
Leica 90mm APO-Summicron-M ASPH f/2.0   Leica 90mm Summicron-R f/2.0
Leica 90mm Summarit-M f/2.5   Leica 180mm R lenses
Leica 90mm Elmarit f/2.8   Leica 400mm Telyt-R f/6.8
Leitz 90mm Thambar f/2.2   Leica 35-70mm Vario-Elmarit-R f/2.8
    Leica 35-70mm Vario-Elmarit-R f/4.0
     
History and overview:   Small Leica cameras:
Leica History   Leica Q full-frame mirrorless
Leica Definitions   Leica Digilux 2 vintage digital rangefinder
Leica Lens Compendium   Leica Digilux 1
Leica Camera Compendium   Leica X
The Solms factory and Leica Wetzlar Campus   Leica Sofort instant camera
    Leica Minilux 35mm film camera
    Leica CM 35mm film camera
     
Photography Knowledge   Thorsten Overgaard books and education:
Calibrating computer screen for photographers   Thorsten Overgaard Masterclasses & Workshops
Quality of Light   Overgaard Lightroom Survival Kit for Lightroom CC/6
Lightmeters   "Finding the Magic of Light" eBook (English)
Color meters for accurate colors (White Balance)   "Die Magie des Lichts Finden" eBook (German)
White Balance & WhiBal   "Composition in Photography" eBook
Film in Digital Age   "The Moment of Impact in Photography" eBook
Dodge and Burn   "Freedom of Photographic Expression" eBook
All You Need is Love    
How to shoot Rock'n'Roll   "After the Tsunami" Free eBook
X-Rite   The Overgaard New Inspiration Extension Course I
The Origin of Photography   The Overgaard Photography Extension Course
Case in Point    
The Good Stuff  
Hasselblad/Imacon Flextight 35mm and 6x6 scanner   "Magic of Light" Television Channel
Leica OSX folder icons   Thorsten von Overgaard YouTube Channel
   
Leica Photographers:  
Jan Grarup   Riccis Valladares
Henri Cartier-Bresson   Christopher Tribble
Birgit Krippner   Martin Munkácsi
John Botte   Jose Galhoz
 
Douglas Herr    
Vivian Maier  
Morten Albek    
Byron Prukston    
     
The Story Behind That Picture:   Thorsten Overgaard on Instagram
More than 100 articles by Thorsten Overgaard   Join the Thorsten Overgaard Mailing List
Thorsten Overgaard Workshop Schedule   Thorsten Overgaard on Twitter
    Thorsten Overgaard on Facebook
Leica Forums and Blogs:    
Leica M10 / M240 / M246 User Forum on Facebook   Heinz Richter's Leica Barnack Berek Blog
The Leica User Forum   Leica Camera AG
Steve Huff Photos (reviews)   Leica Fotopark
Erwin Puts (reviews)   The Leica Pool on Flickr
LeicaRumors.com (blog)   Eric Kim (blog)
Luminous Landscape (reviews)   Adam Marelli (blog)
Sean Reid Review (reviews)   Jono Slack
Ken Rockwell (reviews)   Shoot Tokyo (blog)
John Thawley (blog)   Ming Thein (blog)
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Small Size Signed Limited Prints   Ventilated Shade for older 35mm/f2 lenses
Commisioning Thorsten Overgaard Worldwide   Ventilated Shade for 50mm Summicron lenses
Thorsten Overgaard Archive Licencing   Ventilated Shade for Leica 28mm Summilux
Vintage Prints   Ventilated Shade for current 28mm Elmarti-M
Photography Books by Thorsten Overgaard   Ventilated Shade for older 28mm Elmarti-M
Home School Photography Extension Courses   Ventilated Shade for 75mm Summicron (coming)
Overgaard Workshops & Masterclasses   ventilated Shade E55 for 90mm Summicron
Artists Nights   Ventilated Shade for 28mm Summaron
    Ventilated Shade for 24mm Elmarit
Gallery Store Specials   Ventilated ShadeE60 for 50mm Noctilux and 75/1.4
 

 

Above: Baikal Lake region in Russia.
Leica M Type 240 with Leica 50mm Noctilux-M ASPH f/0.95.
© 2015 Byron Prukston.


 

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LEItz CAmera = LEICA
Founded 1849 in Wetzlar, Germany.

 

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Quick links:

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Formatting memory cards

Latest Leica M Type 240 Firmware
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Also visit:

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Von Overgaard Gallery Store
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Leica Definitions
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Leica 21mm Summilux-M ASPH f/1.4

Leica 28mm Summilux-M ASPH f/1.4
Leica 35mm Summilux-M ASPH f/1.4
Leica 35mm Summicron-M ASPH f/2.0
Leica 50mm Noctilux-M ASPH f/0.95
Leica 50mm APO-Summicron-M f/2.0
Leica 50mm Summicron-M f/2.0
Leica 50mm Summilux-M ASPH f/1.4
Leica 75mm Summilux-M f/1.4
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Thorsten Overgaard
Thorsten von Overgaard is a Danish writer and photographer, specializing in portrait photography and documentary photography, known for writings about photography and as an educator. Some photos are available as signed editions via galleries or online. For specific photography needs, contact Thorsten Overgaard via e-mail.

Feel free to e-mail to thorsten@overgaard.dk for
advice, ideas or improvements.

 

 

 


 

 


 

 






 

     
     

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